PBS is featuring the excellent British spy drama Page Eight on this week’s Masterpiece Contemporary. It’s top rate.
How do the British do this so well? First, they cut out all of the explosions and chase scenes. Then they get a high-brow screenwriter – here it is David Hare (The Reader, The Hours, Damage) – to write a character driven whodunit with plenty of paranoid political intrigue. Finally, they deliver a first rate cast: Bill Nighy, Michael Gambon, Rachel Weisz, Judy Davis, Ralph Fiennes, Ewen Bremner (Spud in Trainspotting) and Felicity Jones (starring in this week’s Like Crazy).
Page Eight is definitely worth a Tivo. Look for it.
Ewan McGregor’s dad (Christopher Plummer) has just died, shortly after coming out of the closet. As if this weren’t enough to deal with, McGregor is a depressive anyway, with a rich history of sabotaging his relationships. But then he meets Melanie Laurent (Inglorious Basterds)(and they meet cute).
This is a winning comedy – one of the year’s best movies. It’s smart, sweet and original. All of the performances are excellent, especially Plummer’s, which should garner him an Oscar nomination. All in all, Beginners is a notable achievement by director Mike Mills (Thumbsucker).
George Clooney, Philip Seymour Hoffman and Ryan Gosling in THE IDES OF MARCH
50/50 is an engaging cancer comedy with Joseph Gordon-Levitt and Seth Rogen. Margin Call is a taut financial meltdown drama with superb performances by Jeremy Irons, Paul Bettany and Stanley Tucci. Pedro Almodovar’s The Skin I Live In is a beautiful and disturbing thriller – Out There as only Almodovar can do. The Ides of March is a fine political drama with Ryan Gosling, Philip Seymour Hoffman, Paul Giamatti and George Clooney. Drive is a stylishly arty and ultraviolent action film with Ryan Gosling.
If you can still find it, don’t miss Take Shelter, Jeff Nichols’ brilliant tale of a psychotic breakdown with Oscar-worthy performances by Michael Shannon and Jessica Chastain. One of the Best Movies of 2011 – So Far.
I haven’t yet seen J. Edgar, Clint Eastwood’s biopic of J. Edgar Hoover, or the raunchy comedy A Very Harold and Kumar 3D Christmas or the psychological thriller Martha Marcy May Marlene. You can see trailers of upcoming films at Movies I’m Looking Forward To.
James Coburn and James Garner in THE AMERICANIZATION OF EMILY
Turner Classic Movies is broadcasting the 1964 The Americanization of Emily on November 11. Set in England just before the D-Day invasion, The Americanization of Emily is a biting satire and one of the great anti-war movies. James Garner plays an admiral’s staff officer charged with locating luxury goods and willing English women for the brass. Julie Andrews plays an English driver who has lost her husband and other male family members in the War. She resists emotional entanglements with other servicemen whose lives may be put at risk, but falls for Garner’s “practicing coward”, a man who is under no illusions about the glory of war and is determined to stay as far from combat as possible.
Unfortunately, Garner’s boss (Melvyn Douglas) has fits of derangement and becomes obsessed with the hope that the first American killed on the beach at D-Day be from the Navy. Accordingly, he orders Garner to lead a suicide mission to land ahead of the D-Day landing, ostensibly to film it. Fellow officer James Coburn must guarantee Garner’s martyrdom.
It’s a brilliant screenplay from Paddy Chayefsky, who won screenwriting Oscars for Marty, The Hospital and Network.
Today, Americanization holds up as least as well as its contemporary Dr. Strangelove and much better than Failsafe.
Reportedly, both Andrews and Garner have tagged this as their favorite film.
One of the “Three Nameless Broads” bedded by the Coburn character is played by Judy Carne, later of Rowan and Martin’s Laugh-In.
Many consider the 1975 Thrilla in Manila, the heavyweight championship bout between Frazier and Muhammed Ali, to be the greatest boxing match of all time. Ali usually dominates the narrative of 1970s boxing. However, the 2009 HBO documentary Thriller in Manila revisits the fight and its aftermath from Frazier’s point of view. The film depicts Frazier in his final years, broke and living on the margins of society, still boiling with resentment from the experience.
In contrast, the 2009 documentary Facing Ali showcases Ali’s other rivals, who have all embraced their experiences with Ali as their career-defining moment. We hear from George Chuvalo, Sir Henry Cooper, Earnie Shavers, George Foreman, Ernie Terrel, Larry Holmes, Ken Norton and Leon Spinks. Chuvalo, Cooper and Shavers prove to be surprisingly charming raconteurs.
Thriller in Manila is on my list of 10 Best Boxing Movies, and I’ll put Facing Ali on the list when I have time.
In Tabloid, master documentarian Errol Morris delivers the hilarious story of Joyce McKinney, a beauty queen jailed for manacling a Mormon missionary as her sex slave. McKinney doesn’t like the film, but she has no complaint because two-thirds of the film is her telling her story in her own words. The humor derives from her being such a clearly unreliable narrator – “barking mad” in the colorfully accurate description of a British journalist. Morris came across her story decades after the kidnapping, when she had her dead dog Booger cloned from “Spirit Booger” into a litter of Korean-named Boogers.
Morris’ last two films (Standard Operating Procedure about the Abu Ghraib abuses and The Fog of War) were as funny as a heart attack. But remember that Morris’ earliest films (Gates of Heaven, Vernon Florida and Fast Cheap & Out of Control) also focused on eccentrics and were plenty funny. Just for fun, this time Morris even leaves in some of his snarky wisecracks to the interviewees.
This is one of the funniest movies of the year and the funniest documentary since The Aristocrats.
If you can still find it, don’t miss Take Shelter, Jeff Nichols’ brilliant tale of a psychotic breakdown with Oscar-worthy performances by Michael Shannon and Jessica Chastain. One of the Best Movies of 2011 – So Far.
50/50 is an engaging cancer comedy with Joseph Gordon-Levitt and Seth Rogen. Margin Call is a taut financial meltdown drama with superb performances by Jeremy Irons, Paul Bettany and Stanley Tucci. Pedro Almodovar’s The Skin I Live In is a beautiful and disturbing thriller – Out There as only Almodovar can do. The Ides of March is a fine political drama with Ryan Gosling, Philip Seymour Hoffman, Paul Giamatti and George Clooney. Drive is a stylishly arty and ultraviolent action film with Ryan Gosling.
Blackthorn is a beautiful but flawed Western set in Bolivia. Dirty Girl is a fun but unexceptional romp with promising newcomers Juno Temple and Jeremy Dozier.
You can still find The Guard, the Irish dark comedy starring Brendan Gleeson and Don Cheadle, and Sarah’s Key, an excellent drama starring Kristin Scott Thomas as a journalist investigating very personal aspects of a French episode in the Holocaust. The Debt, with Helen Mirren, is a multigenerational thriller that addresses the costs of both truth and untruth.
I haven’t yet seen the raunchy comedy A Very Harold and Kumar 3D Christmas or the psychological thriller Martha Marcy May Marlene, which open this week. You can see trailers of upcoming films at Movies I’m Looking Forward To.
I was watching the 1950 Western Rancho Notorious when I asked myself, “Who’s the bad guy in the pageboy?”. Indeed, the reliable character actor John Doucette has been forced to don a platinum blonde pageboy wig to play Whitey. When shot in the back at the campfire, he gets to die with his boots on – and with his pageboy. I’ve added this on to my list of Least Convincing Movie Hair.
the John Doucette that we all recognize
BTW Rancho Notorious – directed by Fritz Lang and starring Arthur Kennedy, Marlene Dietrich and Mel Ferrer – really doesn’t stand up very well. It’s easily the most disappointing Lang film that I’ve seen.
Crazy Stupid Love is an altogether very satisfying romantic comedy starring Steve Carell as the middle-aged sad sack who has been dumped by his longtime wife (Julianne Moore) and comes under the tutelage of uber lounge lizard Ryan Gosling, who in turn is falling for Emma Stone. Lots of laughs ensue, leading up to a madcap climax in Moore’s back yard, before the film slows down for the last 20 minutes. But, it’s plenty funny (and not many romcoms are these days).
Gosling, who earned indie favorite status playing tortured/damaged characters, is great here as the guy who can melt any gal in a bar with stunning ease and speed. Emma Stone is always good in comedies. Lisa Lapira shines as Stone’s wingman, and Analeigh Tipton is excellent as Carrel’s babysitter.
On November 2, Turner Classic Movies will be airing Brute Force (1947). This Jules Dassin noir is by far the best of the Hollywood prison dramas of the 30s and 40s. A convict (Burt Lancaster) is taunted by a sadistic guard (Hume Cronyn) and plans an escape. It’s a pretty violent film for the 1940s, and was inspired by the 1946 Battle of Alcatraz in which three cons and two guards were killed. Charles Bickford, Whit Bissell and Sam Levene are excellent as fellow cons.
